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Showing posts with label Spy Thriller. Show all posts
Showing posts with label Spy Thriller. Show all posts

Sunday, October 17, 2010

RED...Bruce Willis big budget bore! Turkey tasteless...

 


 



As far as spoofs go, it went badly.

Blame it on a poorly-developed idea (book adaptation), badly-written script, and a star past his prime - who lacked the good sense to quit - while he was ahead of the game.


Even the normally-formidable talents of elegant Helen Mirren and quirky John Malcovich couldn’t save a Die Hard star’s vanity vehicle intended to end a long drought.

Not much to crow about, Bruce.

Sight gags went awry, dialogue fell flat, and the old Willis screen charm - what there was of it - wore thin a few minutes into the lame flick.

Frankly, I dozed off half-the-way through this studio clunker, which was short on laughs - and thanks to Demi’s ex - too long in the tooth to rustle up any enthusiasm for its cardboard characters and muddled plot.

The basic premise - a posse of retired spies break into a secure Law Enforcement Agency to ferret out information on a hit - stunk to high heaven.

In fact, the writers must have been smoking some of the leafy green stuff at a rally for the legalization of marijuana in sunny Cal, when they tossed about this dumb scenario in the development phase.

I expect the box office receipts will be sobering when the word gets out.

In a nutshell?

Red is a overcooked turkey that causes the stomach to turn.

Excuse me, while I go and throw up!

http://www.thetattler.biz/





Bruce Willis infectious grin now a grimace!


Thursday, September 2, 2010

The American...George Clooney excels in thriller! Morality tale with Hitchcock undertones!







Occasionally, a compelling film with thought-provoking masterful celluloid strokes splashes across the silver screen, and subsequently, resonates with an audience (in spite of the fact it’s not a typical Hollywood-style big-budget smash-up or special effects CGI masterpiece crafted to dazzle and delight).

The American - a Focus Pictures production - uniquely fits the mold.

The thriller (starring a charismatic salt & pepper George Clooney) unravels slow and sure in the breath-taking opening scenes - then, quickly - kick-starts into high gear (in part) due to a series of spine-tingling plot twists that erupt unexpectedly out-of-the-blue.

Suddenly, the theatre-goer (on the edge of his or her seat by now), is propelled forward into the action for a wild ride that is not always gauged by tail-spin turns, screeching tires, or a bloody body count.

In fact, the American is a remarkable film in many respects, because of what it is not.

The scriptwriter (who adapted a best-selling book here) wisely chose not to rely on gimmicks (what has gone before) to appeal to the commercial mainstream - and in the process - avoided tired old clichés and stale plot scenarios to avoid breathing artifical life into what amounts to a gem of a movie.

Personally, I stared up fom the below the footlights and savored every deft Hitchcockian moment that happened along, totally absorbed.

In fact, each frame was not unlike a unique piece of a film puzzle - that eventually snapped  into focus just before the ending - when it dawned on the viewer that "The American" was a subtle morality tale along the old-fashioned traditions of spell-binding meticulous story-telling of yesteryear.

In a nutshell, Clooney’s character is an International spy - of sorts - forced to come out of hiding when a nasty posse of cut-throat killers are hired to terminate him.

In a sub-plot, the screenwriter fleshes out the tortured soul of a complex man - who is at times driven - by exotic sensual tastes as he yearns for intimacy late in life.

In spite of his normally-cool reserve and remarkable self-control in the dangerous high-stakes arena of espionage - in contrast - endless nights alone without companionship (he's an outsider who has been unable to savor the spoils of his success) have taken their toll.

Unlike studio honchos that often rely on formula - with a big dose of style over substance tossed in for good measure to seduce the hapless film buff -  the producers here rely on the intelligence of the sophisticated film enthusiast to fill in the gaps.

The strategy appears to be working - if the turn-out this afternoon in downtown San Francisco - is any indication.

Although the Clooney film was released today - mid-week on a Wednesday afternoon without a lot of frenzied fanfare - excited fans abandoned chores at home and loose-ends on work deadlines at the office to steal into the theatre to catch the flick before the dinner hour.

That's star-power, alright!

The icing on the cake?

Half-naked footage of Clooney reveals the hunk is still at the top of the heap in the stud department, too!

I wouldn't kick him out-of-bed for eating crackers, that's for sure!




Clooney character crafts high-powered rifle for Assassin!

Saturday, August 28, 2010

Leonardo DiCaprio...restrains passionate fan!



Leo's irresistible charms require fan restraint!





Religious zealots have been preaching the 2nd coming of Jesus Christ for decades, but few ever imagined that the Son of God would make a grand entrance into this mortal realm by way of Leonardo Di Caprio's seed!

The big screen Romeo - who triggers passions and causes hearts to go pitter-patter - was forced to petition the court for a restraining order against one delusional babe who was  under the mistaken impression that she is married to the charismatic star and carrying his child Jesus.

Holy crap, Batman!

Leonardo ("King of the World" normally) argued in supporting documents that the admirer's erratic behaviour sufficiently established that his safety may be at risk.

A series of dog-eared letters - stalker Livia Bistriceanu penned and zipped off to the actor by U.S. post - hinted at trouble ahead.

One scrawled note was particularly upsetting to Leo.

"Do you want to be with me for real and to be the father of Jesus?".

Consequently, the Judge presiding over the proceedings on Friday, issued an "order" that the woman stay 100 yards away from Leonardo whenever he is in the vicinity.

But, not all filmgoers share her undying love for the handsome actor.

At another court hearing in an unrelated matter, a 40-year-old woman was preparing to stand trial for striking Di Caprio with a wine glass which resulted in personal injury.

The talented actor did not show his mug at either proceeding, so I expect he's busy preparing for his next "role" in a film bio on FBI Director - J. Edgard Hoover - in which he may be required to cross-dress.

Pretty in pink, Leonardo?

Break a leg!




Happiness is a warm gun!


Sunday, February 21, 2010

Ghost Writer...Polanski's mediocre thriller! Ewan McGregor steals film...








Polanski's much-anticipated  "Ghost Writer" is hardly a taut thriller - and - no wonder!

After all, the beleaugered film director (currently under house arrest in Switzerland) has drawn out the plotline for this dicey potboiler so sparsely (pedestrian-style) over a two-hour stretch that it lacks any tension to sustain any suspense save for a nano-second or two.

When those precious moments strike out and touch the audienc - the edge-of-your seat peaks are usually triggered by the remarkable efforts of one lone soul - Ewan McGregor (and not because of any magic wand or dazzling wizardy dredged up by the once-celebrated director who is now in a decline in respect to his creative and once-insightful vision).

Judging by the "look" and "feel" of  "Ghost Writer" - it's evident that Polanski took a stab at a project he half-expected to drum up phenomenal commercial success in order to pad his bank account.

To pay off his victim in the rape case, perhaps?

While the big-budget feature appeals to the eye with - breathtaking cinematography, stunning backdrops, and set-ups that seduce even the most sophisticated folks - beneath the slick manipulative surface Polanski's latest whodunit falls flat (is empty).

Part of the reason is due to the fact there is nothing original here.

Basically, "Ghost" is a tale about moles and CIA agents and a whole gang of ne'er-do-wells we've seen on the wide screen ad nauseam in recent years at a time when terrorism and national security have prompted writers and studio heads to fathom up yarns to mirror the truth because of the shock (oh my gosh, not in America) value.

Mind you, quality spy films generally sell tickets, provided they're deliciously well-crafted.

Here, Polanski's directing is safe, almost laughable.

The term "hack" is applicable.

The old dawg has drifted far from the maverick days from whence virile powers once sprang - and subsequently carved a niche for the French auteur - in Hollywood's golden filmmaking circles.


Ewan McGregor (bare a** and all) saved the day in many respects for a multitude of innocent  fans who obviously stumbled into the theatre clueless after having been deceitfully lured in by virtue of an enticing film promotion that tricked 'em.

McGregor is worth the price of admission alone.

As to the rest of the cast - well - same old same old.

Once the word gets out about this disappointing political espionage clunker, I expect attendance will drop off dramatically.

P.T. Barnum said it best:

"There's a sucker born every minute."



Wednesday, October 1, 2008

Eagle Eye...soars at box office! Ticket sales reflect theatregoer discontent...


Over the weekend, the Eagle Eye ( spy drama starring Shia LaBoeuf) soared into blockbuster heaven with ticket sales hitting pay dirt at $29 million and some chump change.

But, when you take a gander at box office sales racked up over the past few weeks - and take note of the feature films that nabbed 'em - it is quite evident that the movie-going public is pining for a thrilling screen adventure on a limited budget.

For example, three weeks ago - "Burn After Reading" - opened with strong sales at $26 million when no great contenders were in the running that weekend.

As predicted, "Burn" tickets floundered when "Lakeside Terrace" opened its doors the following weekend.

The action-adventure about a corrupt cop snatched up the bulk of available movie ticket moolah for the taking around the country this past week.

Then - the "Eagle Eye" soared into movie houses - and the audiences flip-flopped again.

Yup, savvy filmgoers turned their backs on both the Comedy "Burn" and the thriller "Lakeside Terrace" to settle into comfy theatre environs to catch the spy thriller from Dreamworks starring Shia LaBoeuf.









What does all this tell 'ya?

Film buffs are in a lethargic state.

There's not enough cash to spring on all the movie offerings, so they're being selective, I guess.

Dribs and drabs, that's how I'd characterize the ailing movie business, right now.

What's the next big weekend hit?

Whatever opens with a name star in the next few weeks, I suppose.

Gambling on which movies will be a hit or miss makes more sense than betting on the big sports leagues these days.

5 to 1, I'm right!