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Showing posts with label Newport Beach Festival. Show all posts
Showing posts with label Newport Beach Festival. Show all posts

Wednesday, April 29, 2009

Newport Beach Film Festival...Director Gregg Schwenk's incompetence & inexperienced staff cast pall on Festival! Filmgoers & Press ticked off...


CEO Gregg Schwenk

(left)



"The thing I noticed about an audience like a Newport audience is they're enthusiastic about film in general. They're astute and curious. They want to know about process," Executive Director & CEO Gregg Schwenk asserted to a local publication prior to the opening of the Newport Beach Film Festival.

It's too bad he turned his patron base this past week by being totally ignorant to their needs.

Although an interesting roster of films have screened to date that have appealed to a few discerning film buffs (for the most part; there were quite a number of stale old projects amateurish in nature) over the past week, tensions have been mounting at the Theatre due to a lack of planning and incompetence on the part of Gregg Schwenk and his inexperienced staff.

For example, on occasion Schwenk's staff were inclined to coral theatre-goers in a small cramped holding area outside on the patio without sufficient space to allow the guests to distinguish one line from the other.

The confusion -a much-talked about fiasco - has been a big turn-off (especially in view of the fact the Newport Festival boasts that it is a world-class film fest).

Hogwash!

Judging by what I've experienced this past week, festival organizers are a bunch of farmers with no class!

Consequently, filmgoers ended up emotionally upset and angry about the chain of disturbing events that have gone down.

Notwithstanding, it was rare that ticket-holders were ever led into the theatre on time.

"It's so cold out here. When are they going to let us in," seemed to be the plaintive cry of the day!

In fact, a large percentage of the films started late amid a lot of discomfort - which caused mean-spirited grumbling - among the disgruntled filmgoers.

"I'm not returning to the festival this year," one pi**ed patron angrily sniped.

"It's not worth it."

The volunteers were polite and courteous throughout the frustrations and in spite of the fact guests were venting the brunt of their anger on them.

I was also embarrassed for Mr. Schwenk at a screening last night when the Festival's lack of professionalism signaled the week-long event was fast-evolving into a sorry joke.

For example, when a film touted as a highlight of the festival sprang to life on the screen, the sub-titles were askew and "falling off" the screen!

Technicians couldn't get it right for the longest time.

Worse than that, perhaps, were the continual nuisances created by Festival Staff who acted in an ignorant, ill-mannered, thoughtless manner throughout the film.

Ad nauseam the hired Festival hands pushed the theatre doors open wide - and on each obnoxious occasion sent a blinding light from the foyer into the back ten rows - much to the annoyance of the paid ticket-holders trying to enjoy the film.

Earlier in the evening, the rude staff also managed to insult pass-holders and members of the press, too.

Even though it was apparent that the movie was sold out, the handlers continued to send pass-holders and members of the press into the long lines snaking around the Theatre walkway.

When it came time to seat the audience, one co-ordinator barked out:

"Pass-holders and press people you have to wait. Paid ticket holders, only."

One press person grumbled that she was giving the festival thousands of dollars of free publicity and was quite emphatic that she didn't like being treated like sh**.

Actually, in my opinion, letting the ticket-holders take seats first was the right thing to do.

I recently reported in a post that ticket-holders at the Dallas Film Festival didn't get into screenings because passholders essentially "stole" their seats from underneath them.

At that time, I noted that ticket-holders should be seated first.

But, it was the way the situation was handled last night, that was downright insulting to passholders and the press.

The staff's conduct was totally demeaning to the individuals involved!

In fact, the situation even got worse, if you can believe it.

Once paid ticket-holders were seated, the press people were herded into the theatre and told to grab a seat.

But, get this.

Shortly after the die-hard few scrounged around for a seat, and located one, a rep for the Festival gruffly ordered the pass-holders out of their seats!

"Go to the back of the theatre, we're bringing in a bench for you."

At this juncture, the insulted film buffs slunk to the back of the theatre, as paid ticket-holders guffawed and made fun of the situation.

Reprehensible conduct by Festival staff, wouldn't you agree?

Meanwhile, Mr. Schwenk - caring professional qualified CEO? - sat there with all the personality and gumption of a worm.

No sir, he didn't even apologize for insulting the passholders or even the members of the press.

It boggles the mind to think that Schwenk, his staff, and festival organizers could act in such an unprofessional insulting fashion.

They're a bunch of incompetent a**holes, that's why.

In the final analysis, if the Newport Beach Festival wants to attain world-class Film Festival status , they'll obviously have to ditch Schwenk and the losers who fall in rank below.

Until then, they're just a bunch of wanna-bees blowing smoke up their a**.

Monday, April 27, 2009

Newport Beach Film Festival...animated shorts original and well-crafted! Sold-out amid zoo-like setting...


The Green Film



Normally, short film programs attract small turn-outs at festivals, but at this year's Newport Beach Fest the week-end screening rooms were packed with enthusiastic fans of the genre, fortunately for the filmmakers.

In fact, Newport went all-out and programmed a series of themed shorts (which I mentioned in an earlier post) which - for the most part - have been blessed with stand-out offerings by talented artists.

At a Q & A session on Saturday, one filmmaker noted that the festival circuit is the only theatrical setting in which to catch a short.

"Why don't movie houses pair them with full-length features in a regular setting," one animator asked a Senior Program Director.

Gosh, he's got a point.

When I was a kid (dating myself again!) a short usually screened before then the main (entree) feature sprang to life on the silver screen.

Today - the only shorts filmgoers are treated to before they settle into a drama, comedy, or action-adventure - is the one inspired by the pursuit of the almighty dollar: the commercial!

The Festival staffer noted that the organizers have bandied about the idea and are receptive to it.

"It depends on the length of the feature. If it's ninety minutes or longer - and a slot is slated for a Q & A session after the preview - there may not be sufficient time for a short because the theatre needs to be cleaned and readied for the next screening."

Like or not, the shorts creeping up on the screen just prior to the Film Festival feature have usually been foisted on bookers by - who else? - the sponsors!

In addition to that thought-provoking subject, during another short segment, an exciting bit of news about a new line of software was excitedly disclosed to the rapt audience.

One filmmaker - who was working under a Professor at Hampshire College - helped develop a project known as "Helga".

In sum, it is an online software package that will allow several key players in a production to contribute their creative skills to a project from anywhere around the country.

"It will transform the industry," he concluded to a fascinated audience.

Info: http://www.helgaproject.org

Of the animated films I've caught to date, here are a handful that are worthwhile tracking down next time you're in the mood for a regular short or short animation experience.

Heart Attack

This animated short was produced as a Public Service Announcement.

The opening shot focuses on a man in bed asleep and snoring.

Suddenly, there is a loud pounding on the bedroom door which wakes the subject up from his deep sleep. Petrified, the man cowers in his bed, paralyzed doing nothing. An image of an evil "heart" breaks into the room with a large knife in its hand and proceeds to stab the subject violently in the chest.

Whoa!

The audience reacted dramatically; after all, the images were quite disturbing.

"Did you worry you may have gone over the top, I asked the meek-looking filmmaker."

He responded with a wry smile.

"I thought I should get the point across without holding back."

Did he!

The Incident at Tower 37

Tower is a beautiful well-crafted piece of animation featuring eye-catching images that resonate and touch the audience.

The plot is intriguing, too.

Day in and day out - almost ad nauseam - a lone manager at a water tower monitors the operations clueless to the fact he is slowly destroying an entire ecosystem.

4 stars for this one!

Granny Grimm's Sleeping Beauty


"Grim" was inspired by the classic tale of Sleeping Beauty.

This rich animated fairy tale appealed to my artistic sensibilities and my wicked sense of humor, too.

In this filmmaker's delightful version, an elderly fairy enacts her revenge on a superficial social circle obsessed with youth and physical beauty.


Distraxtion


Short and sweet!

In fact, it's over before you know it.

But, this little gem packs a wallop.

Animation at its best!



The Green Film

A naive filmmaker tries to produce a feature that is totally "green".

Well-acted, well-written, well-crafted.

There is a surprise ending that ends with a solid punch and a sound message.

Afghanistan: Hidden Treasures

During the course of uncovering ancient treasures from the historic "Silk Road" at a newly-discovered archaeological dig, the Iraq War breaks out and the site is obliterated.

A tale about heroic Afghans who sacrificed and dedicated their lives to safeguard the treasures that were safely excavated before the outbreak of the conflicts with the ultimate aim of preserving a priceless Afghan legacy.

Info: http://newportbeach.bside.com/2009/films




Sunday, April 26, 2009

Newport Beach Film Festival...Bai Ling makes big splash at Dim Sum Funeral after-party!



When Bai Ling - dazzling star of "Dim Sum Funeral" (which screened at the Festival last night as a centerpiece film) sashayed into the after-party at the Sports Club - the paparazzi went into a wild frenzy!

Within minutes, the stunning actress - dressed-to-the-nines in a chic Royal Blue cocktail dress with beaded accents one one shoulder - was writhing to the catchy beat of the pulsating music amid the glare of a media blitz which descended upon her with a vengeance.

The mood became quite infectious as a handful of well-heeled guests joined into the boisterous fray and mugged non-stop for the ubiquitous cameras that swooped in to capture the festive outburst on celluloid like it was manna from heaven.

A few brave studs swaggered in to get up-close-and-personal with Ms. Ling - at which point - the midnight soiree got a little wild and woolly as they romanced the sensual beauty under a picturesque canopy of stars lighting up the sky overhead.

In one brief moment, when Bai Ling gyrated within arm's length, I hollered "hi" and reminded the sexy actress that I interviewed her on the red carpet at the AFI last fall.

In response, she gave me a sly smile, then beckoned me to trip the-light-fantastic by her side.

Suddenly, there I was in the midst of her erotic charms, with a gaggle of media hounds snapping away furiously.

If I end up on the cover of The Globe, or on TMZ, you heard it here first.

"Were just acquaintances."

On the same occasion at the AFI screening at the Arclight last November, I had the opportunity to chat with the director of "Dim Sum Funeral" - Anna Chi - about her creative process.

"It's like cooking a good meal. You toss in a bit of this 'n that. Take a taste, see what else it needs. Add a little spice, if necessary."

Chi is a beautiful woman who radiates an inner glow and aura of spirituality that one seldom encounters in the film industry.

The cast on hand that glittering night noted that Ms. Chi was a dream to work with on the set.

When I complimented her on that, her humble response spoke volumes.

"If you treat people with respect, you get respect back."

Compared to the Bai Ling entrance, the bash - for the most part - was on the tamer side in respect to overt displays of human sensuality.

In respect to appearances, though, the woman went for broke.

Pretty statuesque ladies strutted about the party circuit in chic cocktail dresses and coiffed do's with subtle come-hither looks.

Surprisingly, the dudes turned out in well-tailored suits, teamed with trendy accessories such as eye-catching ties, slouchy hats, and even stylish Fedoras.

The setting for the blow-out was appropriate for the occasion.

Downstairs, party-goers posed around a reflecting pool as they sipped exotic cocktails provided by Festival sponsor Absolute Vodka.

Farther back on the patio, caterers from Taste Catering Cafe and Luscious Organic Desserts served up delectable "pure, decadent, vegan" cupcakes and a wide-array of scrumptious snacks that hit the spot just right.

Upstairs, in a more intimate setting, guests rubbed shoulders and chatted each other up without much pretension as they stood patiently in line for a morsel or two of the delectable hot Hors d'ouevres which were plentiful.

Actually, there was one sour note.

A pushy bottle-blond who introduced herself as a reporter from KNX tried to butt in line ahead of other guests.

"I'm from KNX, so I'm ahead of you," she rudely hissed to one startled newsie she thought was lower on the food chain.

To paraphrase Gertrude Stein:

"A line is a line is a line."

Was she there to report on the event or just wolf down the goodies?

Notwithstanding, guests handled the situation with amazing grace.

After all, they have impeccable manners in Orange County.

Gabirol said it best:

"The test of good manners is to be patient with bad ones."

(The Choice of Pearls)




Friday, April 24, 2009

Newport Beach Film Festival...rivals that glittering affair on the Riviera! Exotic locale adds lustre to filmmaking scene...






Amid tall palms that swayed in the breeze and a picturesque locale that rivals any on the romantic Riviera, the Newport Beach Film Festival launched an opening night gala last night that glittered under a breathtaking night sky.

"Lymelife" - a hilarious, violent and sometimes tragic look at family dynamics - kicked off the Festival with an enthusiastic packed house.

The Festival is back with a vengeance this year with a roster of thought-provoking insightful celluloid offerings sure to appeal to a myriad of discerning tastes!

Highlights this week include "An Evening of Film & Fun" set to Music which is being touted as a Gala Reception & Concert with Oscar Nominated Film composer Marc Shalman (Beaches, Sleepless in Seattle, When Harry met Sally, Hairspray, Sleepless in Seattlke, and The Wedding Planner) which I intend to take in tonight.

*Friday, April 24th @ 7 PM in the Palm Garden at the Island Hotel Newport Beach.

On Wednesday (April 29th) there will be an evening of "Disney Rarities" with Oscar Nominated Film Producer Don Hahn & Disney Creative Director David Bossert at the Lido Theatre.

The enchanting presentation features a collection of rarely seen Disney Animated treasures.

There will be a tribute to John Wayne on Saturday, April 25th, by virtue of a screening of - She Wore a Yellow Ribbon - one of his classic films which is sure to be a crowd-pleaser for film buffs.

Over the next week (April 26th thu April 29th) there will also be dramatic spotlights on Latino, Asian, French, Irish, Swedish, Italian, and Australian films.

And, of course, what would any Film Festival be without a collection of scintillating shorts to wow audiences in-between the centerpiece presentations sprinkled throughout the sparkling Festival scene.

The Newport Beach Festival has a series of themed shorts at reasonable ticket prices to take in; for example, Criminal Shorts, Shorts for Shorties, Tween Shorts, and so forth and so on.

Check the schedule for a comprehensive list (and showtimes) since there are too many to post here.

Closing night (April 30th) there will be a screening of - "500 Days of Summer" - an offbeat romantic comedy about a woman who doesn't believe true love exists, and the young man who falls for her.

Directly after the screening, there will be glittering closing night Gala party in the Via Lido Courtyard.