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Showing posts with label Independent Film. Show all posts
Showing posts with label Independent Film. Show all posts

Saturday, June 20, 2009

AFI Festival...calling for Film Submissions. Filmmaker requirements & due dates...




Probably one of the most prestigious Festivals to hit the circuit during the course of each year is the one hosted by the American Film Institute (AFI).

Actually, AFI organizes two fests each year.

One, which I covered a few weeks ago, was held in Dallas; the other, in our own thriving metropolis (Los Angeles).

AFI not only endeavours to unveil first-run big-budget feature films at each fest, but also, an eclectic mix of thought-provoking shorts, documentaries, and Foreign Language celluloid masterpieces.

In addition, organizers round out the screenings with stimulating seminars, insightful Q & A sessions, you name it.

And, the AFI's high-profile red carpet events, are not to be missed either!

By the way, my contacts at AFI just informed me that there is a call out now for filmmakers to submit their projects for consideration for the fall line-up (2009).

Submission Guidelines

Films that are 30 minutes or longer in length are considered feature films, while projects under 30 minutes are deemed "shorts".

Feature films (both narrative & documentary) that have previously screened for the public in Los Angeles or have been televised in the Los Angeles area are not eligible for consideration.

DVDs are accepted for preview screening.

However, preview video-cassettes and DVDs must be labeled clearly with the title, running time and contact information (including name, address and phone number).

More than one entry may be submitted. But, each entry must be accompanied by an official entry form and entry fee.

If a film is selected for inclusion in this year's fest, filmmakers will be asked to provide a head shot and filmography of the director; black & white and/or color stills from the film; press materials; and a video trailer (if available).

The entry fee is non-refundable.

AFI Conservatory Students

Students enrolled in the AFI film school can request a fee waiver by contacting AFI:


(No waivers available at this time)

DVDs & Submitted Materials

DVDs and other submitted materials will not be returned.

In view of this, it may be wise not to submit film prints, master tapes or other originals.

Confirmation

Filmmakers seeking a confirmation that an entry has been received by the AFI FEST organizers, should include a self-addressed stamped postcard to facilitate the request.

Film Entries

AFI FEST asserts the right to use footage, stills and/or titles and information for promotional purposes.

In view of the aforementioned entry stipulation, all films must be free from any legal disputes and the filmmaker must have cleared all rights for music and exhibition with appropriate individuals.

Deadline

Filmmakers agree to deliver prints to AFI no later than October 16, 2009.

Notification

All filmmakers will be notified of acceptance by October 9, 2009.


Wednesday, June 10, 2009

Dim Sum Funeral...Anna Chi's new offering opens in limited release Friday! Sensuous Bai Ling sizzles...




Bai Ling is a lesbian seeking a sperm donation from pries





Landing a distributor in the past few months has been tough for Independent filmmakers - what with the state of the economy being the way it has been - and due to shifting norms in the Film Industry widespread.


On the festival circuit - in my exciting colorful travels from AFI Dallas in cattle country, to the Newport Beach Festival in the OC, to CineVegas (Sin City) - I've crossed paths with frustrated (but ingenuous) filmmakers forced to blaze their own trails in respect to distributing their product.


And, the heck with the major studios, thank you very much!


For example - in spite of the fact "Skin" is a quality thought-provoking drama (about apartheid) garnering accolades and a bevy of prizes around the country - no takers.


Even with a bankable star like Sam O'Neil turning in a stellar performance!


Rock Slyde, which I caught at AFI Dallas (starring Andy Dick) was - at times - side-splitting fun and definitely a popcorn movie. But, the off-beat comedy is still dangling in the wind waiting for the big brass ring to swing its way.


Review (Rock Slyde): 04/06/2009


http://ijulian.blogspot.com/2009/04/afi-dallasrock-slyde-spoof-on-film-noir.html
"Children Of Invention" (Asian Pacific Film Festival) won top prize when it screened a few weeks ago at the Director's Guild of America - but nevertheless - is still out-in-the-cold when it comes to sweet movie deals Hollywood-style.


Handsome Tze Chun, the director, wasn't inclined to sit on his butt and wait for suitors to come calling, though.


No Sir!


So, the dynamic filmmaker fathomed up a novel approach to plugging and flogging his film.


The visionary director sprang into action and utilized the Festival Circuit to promote the charming"family oriented" film.


Outside in the foyer on the Festival grounds, after the curtain for the big show fell, savvy handlers were at-the-ready to hawk the DVD's.


In my interview with Mr. Chun (a friend on facebook now), he noted that he intends to log all the data pertaining to promotional costs, expenses, and sales - at which point - he'll painstakingly post the specifics on the Internet so that other filmmakers will have a guide to either follow or set their compass by.


Review (Children of Invention): 05/10/2009


http://ijulian.blogspot.com/2009/05/asian-pacific-film-festivalentertaining_10.html
 "Moscow Chill" finally got afloat in the mainstream just recently with their espionage thriller (starring Norman Reedus of "Boondock Saints") although it was a tough sell.


Over the past year since I first took a gander at it, and wrote a positive review, I have followed their progress.


For a million bucks, director Chris Solomine turned out a quality entertaining action-adventure film.


As I said at the time, Hollywood should sit up and take notice!


Review (Moscow Chill) : 02/28/08


http://ijulian.blogspot.com/2008/02/moscow-chillentertaining-low-budget.html
In a way, I feel like the films I became enchanted with or entertained by over the past year or so, are kind of like my "children" now out in the world fending for themselves.


I've got to cheer 'em on from the sidelines, at least.


A few others Indies worth mentioning:


"Before the Music Dies" (Rock Documentary), "The Perfect Age of Rock "N" Roll" (Jason Ritter starring), "Train Master" (well-crafted Disney-style children's flick by Phil Bransom), Inalienable (Richard Hatch starring and direction by Star Trek actor Walter Koenig).


Review (Before Music Dies): 08/29/07


http://ijulian.blogspot.com/2007/08/thomas-carlyle-wordsworth-said-who-is.html


Review (Perfect Age of Rock "N" Roll): 04/27/09


http://ijulian.blogspot.com/2009/04/newport-beach-film-festivaljason-ritter.html



Review (Inalienable): 04/02/2008


http://ijulian.blogspot.com/2008/04/inalienablewalter-koenig-script.html


And, there is good news to report for "Dim Sum Funeral", too!


Although I originally interviewed the stars (Bai Ling & Curtis Lum) and Director (Anna Chi) on the red carpet at the AFI's prestigious annual Festival (3 years running) in Dallas, scheduling conflicts prevented me from catching it on the silver screen.


Same thing happened in Newport Beach when the well-crafted offering premiered there.


Finally, when "Dim Sum Funeral" was booked into the Asian Pacific Film Festival just a scant few weeks ago, I was able to plunk myself down in a comfy seat in a packed house at the DGA and drink up every rich celluloid moment.


I was bowled over by the performances, storyline, and original thought-provoking themes.


Third-time lucky for both the film and moi.


On the heels of the last screening, "Dim Sum Funeral" scooped distribution.


So, here I am to proudly announce that "Dim Sum Funeral" will be gracing the screen of two legit Theatrical venues in the Los Angeles mainland, commencing Friday June 12th.


*Laemmle Sunset 5 (West Hollywood)
*Laemmles Pasadena Playhouse



Since it is crucial that an Independent film gain a solid footing at the box office the first weekend, I am urging all the locals (and those willing to travel far and wide from the outskirts of the town and county) to take "Dim Sum Funeral" in.


Since Bai Ling, a sexy little darling I've struck up a good relationship with on the Festival beat, is starring in the role of a lesbian - and Dim Sum is opening in West Hollywood on Pride weekend in Gay Gulch (WeHo) - I trust there will be a strong showing of hopeless romantics gays ratcheting up the ticket sales, for starters.


Then again, maybe an even more diverse crowd will be inclined to take a daring enthusiastic theatrical leap, after perusing the reviews!


The film was directed by a sweet lady, Anna Chi.


When an individual first crosses paths with the celebrated director (Joy Luck Club) it is evident from the get-go that she's a gentle loving soul- in spite of the fact - her own life wretchedly twisted here and there over the years, scarring her, undoubtedly.


For example, Ms. Chi unwittingly first stumbled into the nasty glare of the public eye when she was a naive a young girl during the Cultural Revolution in China.


In one impulsive moment in her life, she was inspired to write a letter to her father asking him to consider following the political views and philosophies of Chairman Mao and the Party.


The government used the correspondence to popularize their ideologies and Anna soon became a symbol of the Communist party.


In fact, her name (steeped in tradition) was changed from Shaoai (Forever Spring) to Yong Hong (Forever Red).


High drama, indeed!


Later on when the excitement died down, Anna saw the light at the end of the tunnel, and enrolled in film school


Chi had a good eye - and so - became an editor.


In the throes of this career endeavour, Ms. Chi was forced into an arranged marriage that resulted in a messy divorce and a departure from the philosophy of the Party.


Eventually, after she immigrated to Los Angeles, she learned how to speak English.


From humble beginnings, she raised herself up to loftier climbs due to the dedication to her craft and the innate ability to focus on the essentials in a humanistic way.


When I noted that her cast & crew were greatly impressed by her kindness and understanding on the set, she calmly responded:


"If you treat people with respect, you get respect back."


Her numerous credits include the "Joy Luck Club"(Wayne Wang), NIXON (Oliver Stone), and the anime film "The Three Kingdoms" (John Woo).


Currently, Ms. Chi is writing MERMAID for famed producer, Xu Ligong.


Cast
Dim Sum Funeral


Bai Ling, Lisa Lu, Talia Shire, Julia Nixon, Russell Wong, Kelly Hu, Francoise Yip, Steph Song.


Review (Dim Sum Funeral): 05/04/2009


http://ijulian.blogspot.com/2009/05/asian-pacific-film-festivalanna-chis.html


HD Video Interview: 05/09/2009


http://ijulian.blogspot.com/2009/05/asian-pacific-film-festivalcurtis-lum.html


*Curtis Lum discusses his role as a sperm donating priest with lesbian character Bai Ling. (pictured above)


Well, as they say at Warner Brothers.
That's all folks!




 http://www.thetattler.biz


Saturday, June 6, 2009

Los Angeles Film Festival...shamed! The Richard Raddon ghost haunts event. Should gays boycott fest?





Tattler readers may recall from a controversial post that I suffered a nasty run-in with last year with former Director of the Los Angeles Film Festival - Richard Raddon - when I approached the devout Mormon about covering the annual Westwood-based event.

In fact, I am still baffled by Raddon's bizarre conduct, to this day.

Post:
http://ijulian.blogspot.com/2008/06/los-angeles-independent-film.html

Shortly after I published the tell-all on the Internet, I spied a sudden surge on searches for Richard Raddon on google, which piqued my curiosity.

For some inexplicable reason, Raddon was suddenly a "hot potato" in the blogosphere; so, I dived in head-long and conducted my own dragnet on the high-profile film fest organizer to get to the bottom of the "dish".

Within minutes, I stumbled upon a whole heap-load of nasty sh** on the odd-ball local celebrity in the film biz.

A headlining scandal took the cake.

Allegedly, as "gays" in the Los Angeles lower mainland were engaging in a bitter fight tooth & nail over the issues pertaining to Proposition 8 (initiative to ban gay marriage in California) individuals - Raddon, for one - were stabbing 'em in the back by silently donating significant funds to support the cause.

Raddon's contribution to the witch-hunt?

A thousand bucks!

Shortly afterward, a war of words between "gay activists" and "Mormons" hit the fan, and a controversy erupted in the community that led to angry marches in the street and near riots.

Gays got organized in military-style precision!

Before you could say tit-for-tat, a boycott was launched against all businesses and individuals that contributed funds to the Prop 8 initiative, to demonstrate the clout of the pink dollar.

A trendy Mexican diner on Beverly Boulevard in West Hollywood - frequented by gays in the neighborhood for decades - was the first to feel the pinch and cave in.

The Los Angeles Film Festival was also a prime target ripe for levelling.

Unless Raddon was "let go", gays and their vocal supporters, threatened to boycott the Fest - shut-it down - if possible.

Bowing to pressure, Richard Raddon resigned, and justice appeared to rule the day.

However, the controversy was still bubbling on a back burner behind closed doors.

On the heels of the resignation, actor Don Cheadle - a member of the Festival Board - proceeded to urge Raddon not to kow-tow to the demands of the angry mob (along with a handful of other Directors at the Los Angeles Film Festival who held similar views).

This triggered a heated dialogue on various issues which was awash in the press for weeks on end.

When push came to shove, Raddon honored the resignation, and gays breathed a collective sigh of relief.

Now, as the new Festival (2009) prepares to launch in Westwood in the next ten days or so, there remains one burning question to be answered.

Since Richard Raddon supporters are still firmly ensconced at the LA Film Festival - and no doubt still hold their prior views on gays, the Mormons, the right to contribute funds to political causes (no matter how morally reprehensible), and a ban on gay marriage in California - should the gay community launch a boycott this year to ferret the rest out?

Enquiring minds want to know!


Not!


Monday, November 17, 2008

Gotham Independent Film Awards...NYC's prestigious festival for Indie Filmmakers! Honors Penelope Cruz! Nov. 20th - Dec. 6th



To the delight of filmgoers who thrive on off-beat Independent feature-length films with Art House sensibilities, the Gotham Independent Film Awards Series returns to the "Big Apple" once again.

The 18th Annual Fest - which kicks off November 20th and runs through December 6th - is the Nation's oldest and largest organization of independent filmmakers.

For film buffs, Gotham is not only a must-attend Festival, but one of the social events of the year.

In addition to a scintillating round of screenings throughout the week, there will be a host of glittering cocktail parties and tony Award Celebrations sure to intoxicate and swell any pretty little head.

Gotham Award Tributes go out to Gus Van Sant, Sheila Nevins, Melvin Van Peebles, & actress Penelope Cruz.

The nominees for Best Feature include Ballast, Frozen River, Synecdoche (New York), The Visitor, and the Wrestler (Micky Rourke).

A handful of exceptional directors have been given the nod in the "Breakthrough Director" category, as well; for instance, Barry Jenkins, Alex Rivera, Lance Hammer, Dennis Dortch, and Antonio Campas.

The "Breakthrough Actor" category has rustled up a few intriguing choices, too.

Rosemarie Dewitt, Rebecca Hall, Michael J. Smith, Sr., Alejandro Polanco, Melissa Leo, and Pedro Castaneda will compete for the coveted prize.

For the third year, IFP teams with MoMA to select the year's best films off the festival circuit which have yet to be released theatrically. (Best Film Not Playing at a Theatre Near you)

Films such as the New Year Parade, Afterschool, Meadowlark, Wellness, and Sita Sings the Blues, are sure to attract large enthusiastic audiences at the eclectic gallery at the heartbeat of the city.

"Best Documentary" hopefuls include "Chris & Dan: A Love Story", "Encounters at the End of the World", "Man on Wire", "Roman Polanski: Wanted and Desired", and "Trouble the Water".


The Gotham Awards are selected by distinguished juries.

The Awards began in 1991.


The public showcase honors the independent filmmaking community and expands the audience for independent films.

In addition, the Gotham Awards Festival supports the work that IFP does behind the scenes throughout the year to bring such films to fruition.

Founded as a satellite program of the 1979 New York Film Festival, the nonprofit IFP, has evolved into a premier advocate for Independent Film.

Since its start, IFP has supported the production of 7,000 films and provided resources to more than 20,000 filmmakers' voices that otherwise might not have been heard.

IFP believes that independent films broaden the palette of cinema, seeding the global culture with new ideas, kindling awareness, and fostering activism.

Currently, IFP represent a network of 10,000 filmmakers in New York City and around
the world.

Through its workshops, seminars, conferences, mentorships, and Filmmaker Magazine - the IFP - schools its members in the art, technology, and business of independent filmmaking.

IFP also builds audiences by hosting screenings, usually in collaboration with other major cultural institutions, in Gotham City.

Venues
Director's Guild Theatre
(110 West 57th Street, NYC)
MoMA
(11 West 53rd Street, NYC)
BAMcinematek
(30 Lafayette Avenue, NYC)
Tribeca Screening Room
(375 Greenwich Street, NYC)