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Showing posts with label Arclight Cinema. Show all posts
Showing posts with label Arclight Cinema. Show all posts

Tuesday, February 24, 2009

Slumdog Millionaire...AFI foresaw potential success for Oscar-winning feature!



A few months ago, the American Film Institute premiered "Slumdog Millionaire" at a splashy red carpet event at the Arclight Theatre in Hollywood.

Back then, Slumdog was an unknown commodity.

After all, the film wasn't released yet around the country.

In addition, the Academy of Motion Picture Arts & Sciences had yet to single out the feature as a potential Oscar-winner.

Needless to say, when the cast breezed down the carpet that starry night, few in the press corps were familiar with the actors inhabiting the roles on the silver screen - or even the subject matter of the now-celebrated feature.

In view of this - the paparazzi and film critics alike - were inclined to glom onto Danny Boyle and Simon Beaufoy for quotes.

Then, shortly after the film was released - and it began to receive a multitude of accolades across the board - some criticized Boyle for focusing on an impoverished aspect of India that wasn't too flattering.

Many people in Mumbai, for instance, protested about the gritty portrayal of India - and in particular - the title.

Poor residents in the region of Mumbai perceived "Slumdog" as a derogatory term which demeaned them.

In retrospect - a question I put to Mr. Boyd (an affable down-to-earth man) that glittering night - appears to have been appropriate.

"The script came to me," he noted, when I asked how he came to choose the project.

"I was knocked out by the material when I read it," he beamed.

The opportunity to shoot the feature on location in India was a big plus for Mr. Boyle, too.

When Simon Beaufoy strolled up - all charm and wit - I was inclined to note right off-the-bat that I was a big fan of "Full Monty".

I was the picture of diplomacy; after all, I hadn't screened "Slumdog" yet, and was at loss to discuss slumdog particulars!

I put forth the notion that the titillating scene casting the spotlight on the studly - um - attributes of the rough-around-the-edges dudes as they stripped buck-naked in "Monty" was a ploy to rustle up some controversy - and likewise - sell a few theatre tickets.

"It was a metaphor," he stated matter-of-fact.

"It was all about humiliation."

The out-of-work men featured in the off-beat English film, if you recall, put on a strip-show to raise much-needed funds to make ends meet.

Frankly, I thought the scene was liberating, not humbling at all.

One of the character actors in Slumdog on hand at the Arclight (who is firmly established as a lead actor in the "Bollywood" film industry) stopped to chat.

I learned, at this juncture, that he has played opposite - Aishwarya Rai - an actress many tout as the most beautiful woman in the world.

"My readers would probably like to know what it was like to work with Ms. Rai. Did you have any intimate love scenes with her?"

He smiled.

"No, unfortunately," he laughed.

"She is a lovely woman and very professional," he added

When I asked if it was difficult to break into acting in Bollywood, he confessed that it was just as tough making it overseas in India in the medium, as it is for any young hopeful beating the pavement in Hollywood trying to land an acting job.

At first glance, Dev Patel (an an actor in Slumdog) was innocent-looking.

Tall - and suprisingly poised for his age - he was eager to discuss his role with the press.

But, it was evident from the get-go, that all the supporting players were a little overwhelmed by the glitzy red carpet experience.

And, the magic doesn't appear to have faded in the least in recent days

Slumdog has snatched up so many Oscars, you have to wonder, what next?

A sequel?

An adaptation for Television?

News at 11!


Wednesday, October 29, 2008

AFI FEST...Documentary Competition! A curious mix bag of offerings...




When film director Michael Moore unveiled his new documentary SiCKO - amid a lot of fanfare in earlier this year in Sacramento - some said:

"There he goes again".

Taking in a documentary is one of my favorite past-times.

Of course, the "doc" comes in all varieties.

A director may focus on thought-provoking pieces about nature's astounding wonders, or take an insightful foray into an important social or political issue of the day, you name it.

In my mind's eye, when it comes to the latter, the facts should be presented fairly so that the viewer may weigh all the information - and henceforth - arrive at an intelligent reasoned decision about the issues.

For the most part, documentary filmmakers are inspired to "log" a topic because they are all fired up about a project. I mean, somethin' must have got 'em all hopped up to tackle the issues, eh?

For this reason I am inclined to believe that the creators may have a tendency to lean a little.

Undoubtedly, a subtle manipulation of the content is capable of swaying an audience in a particular way.

For instance, whether an insightful (or inflammatory) interview or news clip is placed at the beginning or end of the reel may have a dramatic impact on the viewer.

Although 60 minutes promises to follow the strict dictates of professional journalism - on occasion you can tell by the way the piece was constructed - where their loyalty falls.

One critic spouted recently that documentaries reminded him of "homework".

Joe Queenan - at the LA TIMES - recalled the empty experience of being locked in a steamy smelly auditorium forced to watch grainy films about boring topics produced by the Department of Agriculture.

"I'd rather watch the worst Keanu Reeves movie, I would rather sit through eleven consecutive Demi Moore films (are there that many?) than sit through a documentary," he noted with distaste.

Or maybe he was responding tongue-in-cheek?

No matter.

His statements caused a firestorm from the documentary camp from those who assert that this forum is where political causes, life's injustices and social ills may be brought to the fore.

June Macquire of Mission Viejo quoted Thomas Jefferson:

"If a Nation expects to be ignorant and free, in a state of civilization, it expects what never was and never will be".

The AFI FEST is sponsoring a Documentary Competition this year which focuses on a diverse range of topics.

Although I can't vouch for any of the docs - since I have't advance-screened any of the mixed bag that is offered up - I have given a run-down below so that discerning film buffs can fathom whether they want to risk pay-out on an uncertain gamble in these troubled economic times.

AGILE, MOBILE, HOSTILE:
A YEAR WITH ANDRE WILLIAMS

[AGILE]
(USA, 2008, 88 mins)

A doc which follows Andre Williams (who wrote and recorded numerous hits with the great Berry Gordy, Ike Turner, and Stevie Wonder) as he embarks upon a comeback after enduring poverty and homelessness and a life of reckless living.

ALONE IN FOUR WALLS

[ALONE]
(Germany, 2008, 85 mins)
According to the press packet, a meticulously eye-opening and beautifully-shot documentary which focuses the lens on young teens incarcerated in a tough reform school located in Russian Urals.
"Though these kids have stolen, and even killed, they also share dreams and passions as young people do everywhere."

GOGOL BORDELLO NON-STOP

[GOGOL]
(USA, 2008, 87 mins)

Hailing from five countries, and led by the irrepressible Eugene Hütz, the members of a band tell their stories and share their music.

Critics are saying this doc elevates the concert film into a full-blown exploration of music, identity and global politics.

HI MY NAME IS RYAN

[HIMYN]
(USA, 2008, 78 mins)

Ryan is a milk-and-cookies connoisseur, photo booth artist, fake mustache aficionado, and punk rock performance artist.

According to festival organizers, this poignant doc puts the spotlight on Ryan, who thrives on the therapeutic power of entertaining others as he embarks upon a preposterous number of music and art projects.

IMAGINADORES

[IMAGI]
(Argentina, 2008, 83 mins)

This doc explores the fascinating world of Argentinian comic books - and along the way - reveals the history, highlights, and undercurrents of this major cultural staple as it surges forward into the 21st Century without boundaries.

In addition to featuring existing published cartoons, the film animates some of the country's classic comic characters popular today.

THE LAST DAYS OF SHISHMAREF

[LASTD]
(Netherlands, 2008, 90 mins)

For residents of a small Inupiaq village, global warming is no abstract concept; after all, their island is disappearing beneath rising waters.

This documentary follows three families wrestling with an enormous dilemma.

Where should the people, whose livs are interwoven with their land, pick up and move their village to?

OF ALL THINGS

[OFALL]
(USA, 2008, 83 mins)

In the 1970s, songwriter Dennis Lambert had four songs in the top 100 at once, a feat previously accomplished only by the Beatles.

Now retired, and selling real estate, Lambert's discovery of an unlikely cult following—in the Philippines!!—lures him back on tour.

This hilarious doc captures every note.

PINDORAMA
THE TRUE STORY OF THE SEVEN DWARVES

[PINDO]
(Brazil, 2008, 84 mins)

A wandering family of performers - all dwarves, all children of a legendary Brazilian clown - travels the countryside celebrating magic, humanity, happiness and courage.

In this award-winning documentary, a team of filmmakers follows this remarkable, enchanting circus as it charms audiences.

PLAYING COLUMBINE

[PLAYI]
(USA, 2008, 94 mins)

A videogame that allows players to reenact the Columbine massacre is slammed in the press ,opening a wave of anti-gaming repercussions.


This provocative documentary follows the controversy, asking questions about gaming culture, free speech and the media's role in fanning the flames.

SHAKESPEARE AND VICTOR HUGO'S INTIMACIES

[INTIM]
(Mexico, 2008, 83 mins)

A filmmaker uncovers the true tale of her grandmother Rose Elena's friendship with Jorge, the strange transsexual (and perhaps schizophrenic man) who rented a room from her.

Could Jorge, Rose Elena's close companion, have been responsible for a string of unsolved murders in Mexico City?

UNTIL THE LIGHT TAKES US

[UNTIL]
(United States, 2008, 93 mins)

Blurring the line between performance, art, activism and terror, a group of "black metal" musicians recorded albums, burned churches and even killed each other.

This film examines the movement's birth and explosive growth, asking:

“Is violence a viable artistic response to our destructive consumption-mad culture?”

WITCH HUNT

[WITCH]
(USA, 2008, 91 mins)

Who wouldn't want a legal system that was tough on crime?

Unfortunately, as this startling documentary reminds us, the rush to punish the guilty often has devastating effects on the innocent, including the several fathers and mothers sent to prison by Bakersfield's overzealous DA.