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Showing posts with label Adrien Brody. Show all posts
Showing posts with label Adrien Brody. Show all posts

Thursday, October 21, 2010

Adrien Brody...sues Hannibal Pictures over contract dispute! Giallo DVD sales!




 





Academy Award-winning actor - Adrien Brody - has sued filmmakers in a federal court in Los Angeles on the grounds that a  film is being released into the foreign market without his permission.

In addition, Brody - who sky-rocketted to fame after a starring role in the Piano - has alleged that the producers have not fully paid for his acting services for the project simply titled "Giallo".

The handsome leading man  sought emergency relief from the court based on a contractual agreement that stipulated that the filmmakers were barred from distributing the feature until his renumeration was paid in full.

However, a request to block the release of a  DVD  was denied by the Judge presiding over the legal proceedings.

It appears that Mr. Brody may not have crossed all his "t's" or dotted all his "i's" because the Judge refused to take action until all the parties have been served with legal notice.

A party in a court proceeding has a right to be notified of any adverse action being taken so that they have the opportunity to appear and offer up a defense.

Brody claims he is still owed $640,000 for starring in the film.

In his briefs filed at the courthouse, Brody argued that the alleged breach of agreement may cause him to suffer damages in the sum of $2 million.

In a sworn declaration, the actor accused the film's producers of not disclosing the truth about financing and and may have  vastly overstated how much the film's Italian distribution rights were going for.

"We respectfully dispute his allegations," a lawyer -  A. Raymond Hamrick III - argued on behalf of the defendants (Hannibal Pictures & Giallo Productions Ltd.).

Hamrick has  sworn up-and-down that the filmmakers tried to work out a deal with the actor.

Contrary to Brody's claims, an insider has asserted that the popular star has actually been paid the princely sum of $1 million to date.

I met Mr. Brody on the red carpet at a screening in Dallas (Texas) last year and found the actor to be straightforward, honest, and affable.

Post:  04/10/09

http://ijulian.blogspot.com/2009/04/afi-dallasadrien-brody-lou-gossett-jr.html

News at 11!




Friday, January 29, 2010

Dallas International Film Festival...Mayor Leppert & wife Laura honorary chairs!


Adrien Brody big hit @ Dallas Film Festival last spring!



Sick Puppies stars of Rock Prophecies
(Documentary on photographer Robert K. Knight)



The Dallas Film Society (DFS) zipped off a press release to me this week to announce that Mayor Tom Leppert and (wife) Laura Leppert have been named Honorary Chairs for the Dallas International Film Festival (2010).

Mayor Leppert and his wife have wholeheatedly backed the prestigious film festival since its inception in 2007 - which proved to be valuable to the inaugural edition  - and a professionally-run fest sure to gather steam in coming years (with much to contribute to the industry as well).

Leppert joined Governor Rick Perry, Peter Bogdanovich, Ross Perot, Jr. and others at last year's Texas Day celebration of film at upscale Victory Park which served as a culmination of the 2009 event (which moi also attended and reported on daily).

Except for Peter Bogdanovich, who turned out to be a suffering arrogant son-of-a-bit**, the jaunt out to the desert proved to be a very rewarding and fruitful one.

Post:  04/10/09

Adrien Brody, Janine Taylor & Lou Gossett, Jr. @ glittering red carpet AFI  Dallas gala!

http://ijulian.blogspot.com/2009/04/afi-dallasadrien-brody-lou-gossett-jr.html

Post:  04/13/09

The Hurt Locker

http://ijulian.blogspot.com/2009/03/afi-dallasjeremy-renner-appears-for.html

Post: 10/02/09

Rock Prophecies (& Sick Puppies)

http://ijulian.blogspot.com/2009/10/robert-k-knightrock-photographer-doc.html

Post::  04/18/09

Henry Selick interrview with Julian Ayrs (Coraline)
(Red Carpet)

http://ijulian.blogspot.com/2009/04/afi-dallas-henry-selick-interview.html

Post:  04/14/09

Peter Bogdanovich screening a bust (an arrogant son-of-a-bit**)

http://ijulian.blogspot.com/2009/04/afi-dallasbogdanovich-directors-cut-of.html

Post:  04/13/09

AFI headaches
(overbooked seats, John Wildman PR ego- tripper & loser staff, etc.)

http://ijulian.blogspot.com/2009/04/afi-dallasoverbooked-seats-mistreatment.html



Post:  04/07/09

Dazzling red carpet gala for Cove, Valentino, Burning Plain & Pearl

http://ijulian.blogspot.com/2009/04/afi-dallasthe-cove-burning-plain.html



Valentino a documentary on legendary fashion designer!

Post:  04/14/09

HCG Art Gallery after-part (Dragon) a glittering social event for AFI Dallas

http://ijulian.blogspot.com/2009/04/hcgspotlight-on-dragon-st-art-gallery.html



Post:  04/06/09

Rock Slyde a spoof on Detective genre!

http://ijulian.blogspot.com/2009/04/afi-dallasrock-slyde-spoof-on-film-noir.html



Mayor Leppert noted before signing off:

"It’s wonderful to be part of an event that puts forward the best of this great city to a host of international filmmakers and literally brings a world of film and the top film artists to this community.”

BECOME A MEMBER TODAY!

The Dallas Film Society is pleased to announce their new Membership program.

DFS members will receive an array of benefits and privileges created to maximize the experience with The Dallas Film Society and its many year-round programs and events.

Benefits include invitations to exclusive events, invitations to Premiere Screenings and other Dallas Film Society events.

Your support enables DFS to succeed in creating unique film experiences, from hosting emerging talent and great cinema masters and their work to producing educational discussions, panels, and networking events.

Individual Memberships start at only $40.



Bai Ling in Dim Sum Funeral


Jeremy Renner in The Hurt Locker

Friday, April 10, 2009

AFI Dallas...Adrien Brody, Lou Gossett Jr., Janine Turner, Jeremy Renner lit up red carpet! Glittering Fest a smash hit...




















Some say film festivals are all about the movies.

True, they are.

However, were it not for high-profile stars trotting down the red carpet, there wouldn't be much glitz or glamor.

Moreover, festival organizers would have to rely on promos focused on a particular demographic to get filmgoers in the door.

AFI Dallas was not wanting for celebs to tease the audiences!

Here is a sampling of a few of the charismatic show biz personalities who lit up the red carpet and sparked a meaningful dialogue about film and the state of the art today in Dallas this week.

Joaquim De Almeida - a co-star of Che (often seen portraying nasty pieces of work like Drug Lords from South America) is one of my favorite character actors who stars in the soon-to-be-released drama "A Burning Plain".

At the screening, gossip mongers were tattling that De Almeida and co-star Kim Bassinger, would be steaming up the silver screen with a smattering of sexy love scenes.

"Yes. We have some intimate moments together," the handsome thespian chuckled.

"In fact, the day before the shoot started, we talked extensively on the telephone about what our approach would be."

In the final analysis, both agreed they were professionals, and that they would just "do it".

"We started with a simple scene which consisted of just a kiss. Then, over the next week, Kim and I built up to the intense moments."

Lou Gossett Jr. appeared on the red carpet to tout his new project premiering at the AFI Dallas, wearing a T-Shirt emblazoned with the word "eracism" on the front in keeping with the plot line of the film.

When I asked him why he chose "The Least Among You", he noted the reason was twofold.

"First, because of my faith. Second, because of the subject matter."

The low-budget short was about the 1st African American to attend a Religious College.

Although Mr. Gossett's acting was excellent as usual, I found the project to be amateurish and poorly-written.

Before he moved on to another reporter, he quipped:

"Our children are our future, not oil."

Cheryl Ladd's daughter - a pretty petite young lady with a glow about her - noted that she talked with the director Paul Solet on the telephone for about four hours before jumping on board.

"Grace was described as a kind-of "Rosemary's Baby," she beamed.

Unfortunately, the talented young actress could not save the project which - by most accounts - bombed miserably at the AFI Dallas Fest.

Patton Oswalt - the perennial funny man - was a little more reserved when he chatted up the media to promote his film, "The Big Fan".

"It's similar to great films of the 70's like Marvin Gardens and Electra Glide in Blue," he noted to a crush of press types jockeying for pictures.

Janine Turner (Friday Nights) appeared on the red carpet on a couple of occasions during the AFI Fest; once, at a screening of Monroe's "Gentlemen Prefer Blonds"; then, later at the end of the week at Texas Film Day when Governor Perry also put in a much-ballyhooed appearance to boast about the State's contribution to the film industry.

Turner was gracious, elegantly dressed, and accessible to fans.

The pretty lady gave me a calling card with a striking photo etched on the front.

Sorry, dudes, I'm not sharing!

The producer - and most of the cast of "Pearl" - sauntered into the press room the night of the premiere for their biography on a Chickasaw Aviator inspired by known-flyer Wiley Post.

The director informed that the production was financed by the Chickasaw nation.

The head of the tribe was a bit taken aback by the high price tag, but paid up, nonetheless.

"The Chief thought it was important to produce this project to put the focus on the Chickasaw people."

I pointed out that in Miss Navajo (a film I took in last year at the Los Angeles Film Festival which featured a Q & A with the director) Native American Indians expressed their concerns that if a language and culture were not kept up in the modern day they would disappear in the next twenty years.

He agreed.



Jeremy Renner - a screen heart-throb to reckon with - was a tad serious when he ran the gauntlet to discuss "Hurt Locker".

"It was a challenging role," he confessed. "Film buffs will have to take in a screening to figure it out."
And, who could forget the big splash that Adrien Brody made on opening night when he strode down the carpet for the premiere of Brothers Bloom?

Judging by the frenzied attention he nabbed that night, Brody is no doubt a Hollywood megastar to contend with, in every sense of the word!





Jordan Ladd

Friday, March 27, 2009

AFI Dallas...Adrien Brody arrives with Police Escort (?), Brothers Bloom a critical failure, Rinko Kikuchi & Robert Towne steal limelight...

Rinko Kikuchi steals show!


A military-style posse of men in blue escorted Adrien Brody into AMC, an eclectic mix of fascinating show-biz personalities trotted down the red carpet, and excited fans lapped it up all the glitz and glamour from the sidelines.

The two "big" stars of the night were actress Rinko Kikuchi and Director Robert Towne (Dallas Star Award recipient).

Rinko looked simply stunning in an elegant black gown by Yves St. Laurent.

"One of my favorite designers," she beamed, as the paparazzi jockeyed for position to capture the great beauty on celluloid.

Later, Ms. Kikuchi blew me away from with her remarkable performance in "Brothers Bloom" - a film, that while entertaining - turned out to be a bit of a critical failure from a filmmaking point of view.

Robert Towne, looking for-all-the-world like an elder Statesman, was in top form and wowed the press.

"Was the idea for the bandage on Jack's nose in Chinatown your idea," I quizzed the respected director.

"No, it was in the script."

Unfortunately, when the film was first released, the celebrated director - who will receive a Dallas Star Award at a special presentation ceremony tonight at Northpark Mall in conjunction with the screening of Chinatown - didn't like the way it turned out.

"I thought Roman (exiled director Roman Polanski) was too deliberate. But, over time I came to warm up to to it. I realize now that he was right in his creative choices."

He also had problems with "Greystoke", and noted that in retrospect - if he was making the film today - he would shoot it himself.

That was all he would offer up in respect to that project, so I expect some niggling issues still tug at the perfectionist.

Adrien Brody strode down the carpet sporting a beard and long hair.

When I asked if the "look" was in preparation for a role, he said "no".

Right now, he is taking a breather and is inclined to be a little laid back at the moment.

Mr. Brody was quite approachable.

J-SI - a disc jockey from KIIS FM - managed to get up-close and personal, for example, thankfully for the radio station.

After all, the platter flapper was there to have the talented actor answer a couple of questions for a twelve-year-old contest winner.

"Have you been to Mexico," was one of the questions put to him.

A bit perplexed at first by the offbeat query, he responded in the affirmative nonetheless.

"Yes".

Then, J-SI boldly thrust his chin out and asked Brody to stroke it so he would have good luck sprouting a healthy beard of his own.

Brody paused, perplexed for a second, but complied with the request willingly.

Gosh, the main attraction at the big AFI Dallas event, was quite down-to-earth.

So, why the off-putting police escort?

Personally, I was taken aback, since the military-style maneuver was quite over-the-top.

Over the years, I have attended many red carpet events and I don't recall any celebrity - even the high-profile superstars - making a dramatic entrance with the men in blue.

Ironic, too, because in the tribute prior to the screening of the film, a festival rep asserted that Mr. Brody was not caught up in the trappings of fame.

In fact, in the Q & A after the "Bloom Brothers" credits crawled to a close, Mr. Brody recalled an incident when he overheard a passer-by ask a friend in tow who he was.

"He used to be big," the stranger responded matter-of-fact.

"I was reminded that the life is humbling and cyclical in nature," he concluded from that experience.

Of course, he could have taken a cue from Gloria Swanson's character - Norma Desmond - in Sunset Boulevard.

When the lead character realized who Desmond was, he lamented:

"You used to be big."

Her response?

"I am big. The pictures got small."

In the final analysis, the police escort didn't appear to make any sense, in view of the facts.

Was it Northpark's decision to beef up security?

Or, did AFI Dallas presume that their celebrated guest was such a hot property about to stride in their midst, that he needed protection from the clawing masses?

Enquiring minds want to know!

In contrast, there was a lot of friendly chatter on the red carpet with a handful of up-and-coming young filmmakers.

A "Zombie Girl" co-director noted that their project took 2 years to wrap.

The reality-based documentary focuses on a twelve-year old girl making her first movie.

"It was challenging. We didn't know if she'd finish. We had to wait and see how it panned out."

Director Christopher Wong was passionate about his project "Whatever it takes".

It is the true story of a courageous individual who struggles to open a school in the Bronx.

"The story was inspiring and had to be told," he noted with conviction.

A "Bollywood Beats" make-up artist noted that she had to adjust to the "Bollywood" way of making films.

For example, in contrast to American film sets, a crew and the production team demand a quiet calm environment to work in.

"And, there was quite a lot of nutritious food. It was a great experience for me."

The director of "The Other Side of Paradise" (who looks more like a struggling actor) had some problems of his own on that set.

"My wife and I were both creatively involved with the project."

Did they take their artistic differences home?

He laughed.

"You bet."

As to "Brothers Bloom", the film was a big disappointment.

For a regular Joe, out for some enjoyable entertainment, it is okay bill-of-fare.

But, in my mind's eye, "Bloom" was greatly flawed.

In fact, so much was wrong about it - I had to wonder - was anyone truly at the helm?

More on that issue in a review to follow.

Unfortunately, AFI's big gala event was marred by some troubling production problems.

When a festival exec attempted to speak at the podium, there was a lot of ear-piercing feedback from the mic.

The technical problem dragged on ad nauseam for over fifteen or twenty minutes before it was resolved.

Consequently, the tributes ended up appearing awkward, amateurish, and rinky-dink.

Since AFI has such deep pockets, I had to ponder why a professional team was not brought in to set up the sound system and presentation format in a professional manner.

All-in-all, it was an embarrassing moment for AMC, AFI, and the sponsors in attendance.

Get it right next year, guys!

In contrast, the high-energy atmosphere at the after party was electric!

The champage flowed at an open bar, as smartly-attired waiters offered up scrumptious finger food, under a big Texan sky.

The tony elite, film buffs, and local philanthropists chatted each other up with great enthusiasm.

The gala, fer sure, was a big hit.

See 'ya next year, eh?




Robert Towne

http://www.julianayrs.com

Thursday, March 19, 2009

AFI Dallas..."Brothers Bloom" to kick-off glitzy Gala! Adrien Brody, Rian Johnson & Robert Towne to appear on red carpet! March 26th!





Opening night at AFI DALLAS is gearing up to be a must-attend event of the season, as festival organizers get down to the nitty-gritty to ensure the evening's festivities go off without a hitch.

In addition to the red carpet premiere of Rian Johnson's "Brothers Bloom", a handful of high-profile directors and actors will be in town to catch screenings of their landmark films being spotlighted by AFI Dallas commencing March 26th thru April 2nd.

When the glittering gala kicks off on the eve of March 26th at AMC Northpark - actors Louis Gosset Jr. and Adrien Brody - in addition to Directors Robert Town, Rian Johnson, Christopher Wong, Nicole Terre, and Aaron Marshall - are expected to trot down the carpet to the delight of filmgoers currently snapping up tickets.

"The Brothers Bloom" (Rian Johnson) is a fun romp about two of the best con men in the world who swindle millionaires in a haze of complex scenarios that make the head spin," according to the producers.

In one last job - in what amounts to a swan song - an eccentric heiress finds herself swept up in a romantic adventure that traverses the globe.

Actually, AFI Dallas is going to be like old-home week, to me.

Recently, I attended a mini-fest that Rian Johnson held at the New Beverly Cinema Hollywood.

During the Q & A, Johnson offered up a fascinating peak into the intriguing world of trickery and magic which was the inspiration for "The Brothers Bloom".

Post: 03/10/2009


In addition to Johnson, Peter Bogdanovich will be honored at the prestigious Festival with the AFI Dallas Star Award in recognition of his outstanding achievements in cinema.


Just a few weeks ago, I also attended screenings of two of Bogdanovich's films - which he hosted locally - and was able to pen an informative article on his insightful thoughts on directing, industry professionals he's worked with, and other delightful musings on life.

Post: o1/24/2009

http://ijulian.blogspot.com/2009/01/peter-bogdanovichcher-pain-in-says-mask.html

The presentation will be made during a special Texas Day celebration of film that will honor the rich history of movies in the Lone Star State.

The legendary director will be presented with the award by Texas Governor Rick Perry.

I'll be front-row-and-center at the ceremony applauding the film genius wholeheartedly.

I also managed to have a word or two with James Toback a couple of months ago about much-anticipated documentary "TYSON".

On that occasion, he amused the rapt audience with a lot of scuttlebutt about Tyson, the making of the documentary, and his thoughts on the man.

Post: 07/28/2008

http://ijulian.blogspot.com/2008/07/natassia-kinskiattends-screening-of.html


AFI Dallas will also be hosting a screening of TYSON on Thursday, April 2 (2009) at AMC NorthPark 15, which I plan to attend.


Tobak will be on hand in at a Q & A afterwards.

Thereafter, there will undoubtedly be a post and/or review of "Tyson", so stay in touch with this site.

This year, there will be a special tribute to the films shot in Texas.

And, it's going to be a big "to do".

"AFI DALLAS is proud to join forces with AT&T and Governor Rick Perry to throw the spotlight on the many film classics that were filmed in this state and the many wonderful film artists who call Texas home," an AFI spokesperson noted for the record.

For example, "The Last Picture Show" (which the festival organizers feel is a quintessential Texas Film) will be screened at the Texas Film Day Celebration at the tail end of the AFI Dallas event.

The Texas Day Film celebration is basically a capstone to the 2009 Festival, which will essentially promote and bring awareness to filmmaking in the great state of Texas.

The high-profile event kicks off with a lluncheon and panel discussion at the AFI DALLAS Festival Lounge in Victory Park and will be sponsored by Women in Film Dallas and the Dallas Producers Association.

Governor Rick Perry and other VIPs will put in much-ballyhooed appearances later at a cocktail reception AFI DALLAS at The House in Victory Park sponsored by the Irving Convention & Visitors Bureau, The Studios at Las Colinas and the Texas Association of Film Commissions.

The paparazzi will probably turn out in droves for the red carpet arrivals at AT&T Plaza.

After Governor Perry makes a formal declaration about Texas Film Day, he'll summarily present the AFI DALLAS Star Award to Peter Bogdanovich in recognition of his extraordinary
contributions to modern cinema.

A screening of "Great Texas Moments in Film" on super-sized-screens in AT&T Plaza crown the ceremony.

The evening will be topped off with a star-studded gala and celebration Neiman Marcus.

All Texas Day events at Victory Plaza will be free and open to the public to participate and enjoy.
Whew, I'm going to be in a real tizzy, if I don't get organized tonight!

Later!



Tuesday, March 10, 2009

Rian Johnson..."Brothers Bloom" director top dog at AFI Dallas. Hosted fest at West Hollywood's New Bev Cinema...



Rian Johnson's "Brothers Bloom" (Adrien Brody) will screen at the opening night gala at AFI Dallas at the end of March.

Even still, the multi-faceted director treated locals to a sneak preview of the much-anticipated feature at the New Beverly Cinema about a week ago when he hosted a week-long festival of films which were billed as "Rian Johnson's Festival of Fakery".

The films focused on edge-of-your-seat tales of frauds, fakers, charlatans, hoaxters, huxters and - what the perky director deliciously referred to as - "unsavory sorts."

As the Q & A started up, Johnson entertained filmgoers with an amusing round of card tricks.

However, it was not until the first film - "The Lady Eve" - sprang to life on the silver screen that the sleight of hand tricks made any sense in respect to the festival of films.

In "The Lady Eve" (a fast-paced sophisticated comedy directed by Preston Sturgess) a couple of card sharks try to fleece a young heir (Henry Fonda).

Barbara Stanwyck, who gets top billing in the delightful studio offering, is in top form - glamorous, witty, and fascinating to watch.

Fonda is a real hoot, too.

In this fun poke at the idle rich fiasco, he plays a unwitting foil prone to get tangled up in hilarious pratfalls and slapstick schtick.

At times, I - for one - was simply amazed at young Fonda's comedic timing and charismatic screen presence.

Fonda, at the height of his male beauty, is a must-see in this entertaining farce!

And, Director Preston Sturgess's deft light touch - evident throughout - is a joy to watch.

According to Johnson, Preston's mother was a devil-may-care bohemian, who gave her son free reign to explore his creative side.

The talented gadfly started out as an actor on Broadway and then segued into directing at a time when the studio system was churning out an eclectic bill of faire in the heyday of Hollywood.

To break in as a director, it is alleged that Sturgess actually paid $1 to direct his first feature, The Great McGinty. Other memorable features followed.

Mr. Johnson, himself, is a fascinating character.

Not only is he keenly interested in the craft of directing, but the history of the cinema as well.

The last evening of the festival, for instance, the likable auteur shared a couple of rare short films created for the silver screen by one of the pioneers of the medium, George Méliès.

"Four Troublesome Heads" - a wonder - was well-received by a handful of director wanna-bees underfoot, in particular.

"Heads " marked Méliès’ most sophisticated bag of special-effects tricks.

Quite by accident, the zany director figured out how to facilitate rapid appearances, disappearances and transformations of objects on film.

Méliès was also touted for being the father of the "fade out".

That eureka moment occurred out-of-the-blue one day when the iris was being turned down (as usual) to prevent a build up of moisture on the lens and the naturally inquisitive artiste noticed it created a unique fade effect.

Méliès experimented with the technique, from which other novel ideas flowed, thereafter.

In fact, a myriad of techniques Méliès facilitated on celluloid still takes the breath of filmgoers away to this very day.

In "The Magician" (Le Magicien, 1898) Méliès used a combination of jump-cuts and cunningly-designed props (including a fake tripod stand that wasn’t as see-through as it appeared) to create the impression of a disembodied living bust.

In that scenario, the audience gets the impression they actually spy Méliès remove his own head and place it on a table, where it continues to talk as though nothing has happened.

But, Méliès - and his remarkable creations - were nearly lost to obscurity.

A handful of early films were sold for the silver content during economic hard times.

In fact, at one point, Méliès was forced to abandon his flirtations with film and take refuge in squalid conditions in a kiosk on the streets of Paris.

Fortunately, as Johnson duly noted in his presentation at the New Beverly Cinema, the filmmaker's creations were rediscovered in his twilight years, and consequently, preserved by Historians for generations down-the-line to savor forever more.

Johnson also gave a brief dissertation on the 16th & 17th Century practice of collecting rare and unusual objects.

In what was labelled as a "Cabinet of Wonders", blue bloods and royals often displayed intriguing collections which may have consisted of monkey skulls, one-of-a-kind gemstones, and oddities of nature.

The entertaining showman urged members of the audience to plan a day trip to the one-of-a-kind "Museum of Jurassic Technology" in Los Angeles.

"If you like the unusual objects like a figure of the Pope crafted out of a strand of hair, then you'll be intrigued by the artifacts on display there."

All told, it was a captivating night at the New Bev.

Try to catch the next one, eh?



http://www.julianayrs.com